AJANTA CAVE PAINTINGS
the many-splendoured delights of Ajanta compiled by Subramanian Swaminathan
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Rock-cut Architecture 

The caves of Ajanta offer an instructive field for the study of the evolution of rock-cut architecture.  It is unique in the sense that it can be viewed as an enterprise of a sculptor. 
The cave architecture, at Ajanta and elsewhere, betrays the strong influence of wooden construction.  

The Team was probably drawn from the profession of carpenters, with goldsmiths and ivory-carvers joining hands with the sculptors. 

The evolution of rock architecture took place during two periods: the Hinayana period of the pre-Christian era and the later Mahayana period. 

During the first phase the sculptural activity was limited.  

Mahayana period (4th century onwards) 
In the second phase sculptural compositions filled the facade, the shrines etc.  Side by side with the excavation of new caves the existing Hinayana ones were suitably modified. 

The caves of Ajanta are divided into  
Chaitya-s - Temples 
Vihara-s   - Monasteries

 
 
Mahayana period - Facade embellished
 
 
The entrance has a prominent arched window 
to light the interior.  Relief sculptures 
added in Mahayana period
Chaitya - Interior, consists of a long vaulted nave 
with a pillared aisle on either side. The far end is 
semicircular with a stupa at its  centre
 
 
Vihara - Plan, It has a congregation hall 
with cells for the monks on the inner sides. 
Later a shrine was excavated at the far end
 
Vihara - Interior, A colossal statue of the Buddha 
is seen in the sanctum.  On the left to the entrance 
is the famous painting of Padmapani
Vihara - Interior, Cave 2
 
 
 

 
Paintings
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